The Anti-Aesthetic: Essays on Postmodern Culture by Hal Foster.

The Anti-Aesthetic: Essays on Postmodern Culture. Hal Foster (ed.) The Discourse of Others: Feminists and Postmodernism. Hal Foster. The Ecstasy of Communication. Hal Foster. References found in this work BETA. No references found. Add more references Citations of this work BETA.

Bay Pr. Paperback. GOOD. Spine creases, wear to binding and pages from reading. May contain limited notes, underlining or highlighting that does affect the text. Possible ex libr.

With a redesigned cover and a new afterword that situates the book in relation to contemporary criticism, The Anti-Aesthetic provides a strong introduction for newcomers and a point of reference for those already engaged in discussions of postmodern art, culture, and criticism.

For the past thirty years, Hal Foster has pushed the boundaries of cultural criticism, establishing a vantage point from which the seemingly disparate agendas of artists, patrons, and critics have a telling coherence. In The Anti-Aesthetic, preeminent critics such as Jean Baudrillard, Rosalind Krauss, Fredric Jameson, and Edward Said consider the full range of postmodern cultural production.

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On the Museum's Ruins', Foster, H. Douglas Crimp - 1983 - In Hal Foster (ed.), The Anti-Aesthetic: Essays on Postmodern Culture. Bay Press. Bay Press. The Postmodern Turn Essays in Postmodern Theory and Culture.

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The Anti-Aesthetic: Essays on Postmodern Culture Hal Foster New Press 2002 ISBN 9781565847422. This collection of cultural criticism and art theory framed an entire discourse during the late 1980s and 1990s, which attempted to underline the connections between contemporary artistic practice and the political potential of art.

Critical regionalism is an approach to architecture that strives to counter the placelessness and lack of identity of the International Style, but also rejects the whimsical individualism and ornamentation of Postmodern architecture.The stylings of critical regionalism seek to provide an architecture rooted in the modern tradition, but tied to geographical and cultural context.

Critical regionalism, interplay and formalism. This essay discusses the inherently rich means of describing and thinking about architecture seen in Gadamer’s notion of interplay and Frampton’s notion of critical religionism, comparing them briefly to a formalist way of characterising architecture.

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In The Anti-Aesthetic, preeminent critics such as Jean Baudrillard, Rosalind Krauss, Fredric Jameson, and Edward Said consider the full range of postmodern cultural production, from the writing of John Cage, to Cindy Sherman’s film stills, to Barbara Kruger’s collages. On 1 book list.